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[rating:55/100]
Make sure to catch MP3-freebie, “Click Click” featuring E-40. You’ll find the download within the review
Rest in peace, A, E, I, O and U. Text speak has entered the mainstream. There is no place for vowels in this fast-paced modern world – especially, it seems, in the world of electro house, if Canadian collective MSTRKRFT (“Master-kraft”) is anything to go by. Obviously, Jesse F. Keeler (Death From Above 1979) and producer Al-P (girlsareshort) are prepared to spare the superfluous when it comes to the moniker of their brainchild. It’s just too bad they didn’t take the same particular approach to their latest release, Fist of God, which somehow manages to be mediocre, despite boasting some impressive guest spots.
The opener, “It Ain’t Love”, is a standout track of the album: with a fat, distorted bass line contorting beneath Lil Mo’s deep, “house diva” vocals, it brings to mind a lovechild between “Song 4 Mutya” and “Technologic”. It’s clear what kind of vibe Messrs Keeler and… uh, P are aiming for here: Fist of God cries out for comparisons with Voyager and Justice’s Cross, but sadly, their best efforts do nothing to fill the shoes of those two giants. While track two, “1000 Cigarettes”, carries the high from the high-energy first track, things begin to slump with the inane, repetitive “Bounce”: “All I do is party, ha ha ha ha, bounce low, bounce high”, and so on and so forth for the best part of three minutes. Electro house may not be, on the whole, renowned for its lyricisms, but this track comes across as almost a parody of the genre’s conventions. It took two guest stars (N. O. R. E. and Isis) to spawn this drivel?
Certainly, no track on the album (bar “Click Click”, featuring E-40) comes anywhere near to equalling “It Ain’t Love”. “Vuvuvu” is as meaningful as its title implies (which is to say, little to none), and the title track “Fist of God” sounds like an inferior reprise of “1000 Cigarettes”. As for the actual reprise of “1000 Cigarettes”, “1000 Cigarettes feat. Freeway”? It’s a filler track of 20-odd seconds of dialogue: certainly, this album does not continue in the same vein as it started out. It’s disappointing, because anyone who is familiar with Death From Above 1979’s You’re a Woman, I’m A Machine knows what Keeler is capable of.
[download#45]_
“Heartbreaker”, featuring John Legend, is without a doubt the most bewildering song on Fist of God, simply for the fact it is included in the album in the first place. Opening like OneRepublic’s “Apologize” or something from Elton John’s back catalogue, it is, essentially, a showcase for Legend to parade his undeniable vocal talents, and it jars with the processed, “doof doof doof” vibe of the rest of the album. Over the space of just one track, MSTRKRFT has gone from partying all the time, bouncing low, bouncing high, to lamenting “you’re in my mind, you’re in my heart” in this soulful ballad.
It’s not the only guest spot that turns sour, either. “Word Up” sounds like something one would play in an aerobics class. With Ghostface Killah as your instructor, this could have turned out awesome – but as it is, his larger-than-life persona is reduced to little more than a few sound bytes (“do it harder”, “word up”) that could be courtesy of anybody. It’s a shame, because what Fist of God sorely needs is a shot in the arm of pizzazz, and Ghostface certainly has enough of that to go around. Jahmal Tonge of fellow Canadian group The Carps features on “So Deep” and “Breakaway”, though why his Patrick Stump-esque impression earns him two spots on the album’s track listing is a little bewildering.
Overall, Fist of God is a decidedly average album, with moments of inspiration dulled by generic, synth-driven drones. MSTRKRFT have a long way to go before they stand shoulder to shoulder with Justice and Daft Punk, who do it harder, better, faster, stronger – and more grammatically correct.
by on March 26, 2009 ‡ 1 reaction
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{ 10 comments… read them below or add one }
Welcome Elle! And nice review [:
don’t refer to grammar when your own needs work.
JS, I’m sure anyone can refer to “MSTRKRFT”‘s grammar.
And this album pretty much blew. I agree with your rating and review 100%
Is that really the album cover? Really? It’s horrible. Haven’t heard anything from it (other than “Bounce” and “Click Click”) and w/ this review and the horrendous album cover, I don’t think I will.
Just yesterday I was telling someone how much I recommend this album as I found it to be a MAJOR upgrade from MSTRKRFT’s last one.
I sort of think it sounds like the album that Daft Punk should have made after “Discovery”… but instead they made “Human After All.”
I think we’re going to have a hard time agreeing with each other, Elle. “Bounce” is an amazing song, and strangely enough, “Heartbreaker” was the track that clinched the deal for me. It was the one that made me press that BUY ALBUM button on itunes. (Although, I’m happy to see that we both liked “If It Ain’t Love.”
I sort of agree with this. I reviewed it a few days ago, and had nothing but good things to say about it, especially Click Click. I really like the album because I much prefer it to The Looks. It’s nothing compared to You’re a Woman I’m a Machine though. Basically I’m just pining for DFA 1979 to get back together!
I was really looking forward to this and it was on my Tuesday have to get list…I have to agree though it was a bit of a let down – NO PROGRESS has been made!
Lil’ Mo isthe absolute highlight and it’s the opener; my expectations were high and the popularity index of my first choice on “HAVE TO LISTEN to Tuesday” rapidily declined…
After my third listen – I’m going to give it a below average rating. With so many creative bursts of indie dance and fidgety fun on the scene this may sound weird but was this project aiming for some sort of Mobyistic commercial success for the genre they helped to create?
I’ll even give it a fourth shot…hey maybe this is their |> who knows… I’ll die if I hear a Cut show up on a Ford commercial!
i’ll be honest…i’ve always thought that people who enjoy MSTRKRFT’S music have really bad taste…and i still think that….it’s amazing how such crap can be released and have videos…to make things worse these guys actually got big name rappers on their record…and they still couldn’t make shit sound good.
agreed, people have no clue what real electronic music is.. not some corporate ripoff “artists”
these people do NOTHING INNOVATIVE and get treated like Gods bc they can mix two records together. what a joke.
It’s a shame you made no comparison to ‘The Looks’, which is probably one of the best electro albums of all time. Yeah, this album stinks of mediocrity, Al-P probably shared a needle with Timberland or some shit…