Washed Out, Life of Leisure, EP Review

Click on the turntable on the left to listen to a continuous stream of music featured on Pretty Much Amazing - updated every day. For more, you can check out the Best Songs of 2012.

Don’t forget to rate this album at the end of the post (something I’m trying out)

Life of Leisure EP

Mexican Summer
out October 20th

69/100
[Rating Scale]
Buy it at Insound!

[rating:69/100]
Life of Leisure is an appropriate title for an EP that sounds like partying all night in a dark, sweaty room and waking up on a beach at dawn next to someone you like, cold sand in your hair. Like night-swimming, half your face submerged, and the moon across the water. Like walking home on sandy streets lined with resorts, gently holding someone’s hand, feeling in your chest the distant pulsing bass from basements and passing cars. It sounds like something sweet and simultaneously sharp – fruit-flavored vodka? It doesn’t sound like dance music or party music or techno music – it is a sensuous electronic whirlwind, but that isn’t really a genre, is it?

There is great pop sensibility to this EP: the electro-sexiness you usually hear behind the vocal stylings of Justin Timberlake, production-altered vocals, a youthful energy. Songs like “Get Up” have a kind of quiet, wistful mystery, shrouded in fuzz and fog, heavy bass and sharp computerized percussion, something to shake your head and your hips to. Others, like “You’ll See It” (my favorite) and “New Theory” are synth riffs reminiscent of a more electronic Cure, heavily produced vocals, and a fantastic positivity. It is quite sexy, maybe without meaning to be – Ernest Greene, Washed Out’s mastermind, has a great, lush voice; the tempo of some songs is reminiscent of passionate slow-dances; the bass throbs and pulsates beneath everything.

Washed Out knows how to write a pop song, and therein lies its greatest problem. It knows how to write a pop song, really, a single variety – that distant voice, those loops of computer fuzz, drum machine, thudding bass. For better or worse, Life of Leisure blends together – it could be one song, or it could be six. This lends both a great sense of continuity and a less great tendency to getting a little boring in the middle. The first and second and sixth tracks are the only three that truly stood out to me. And three out of six isn’t bad, certainly, but it isn’t good either. I doubt it was Greene’s intention to create a collection of music that could so easily fade into the background, all connected. The songs are well-crafted, certainly, but perhaps too alike to be perfect.

Whatever the case, Life of Leisure has the bittersweet taste of the end of summer all wrapped up in a seventeen-minute package, quite a good set of songs for those days when you have to look back and think hard to remember everything – every sleepless night dancing, every star in the sky, the sound of waves on every vacant beach.


Stream the entire album here, thanks to Lala. All you need is account. If you don’t have one, make sure to set one up. It only takes a second.

{ 11 comments… read them below or add one }

Jon September 21, 2009 at 5:40 pm

Fair review, I really can't argue, though not even hitting 7/10 is killing me, just a little. I've been listening to the EP nonstop for hours.

Reply

Mack September 21, 2009 at 5:42 pm

Yeah, even Pitchfork gave them an 8.0 http://pitchfork.com/reviews/albums/13438-life-

Reply

Nick September 21, 2009 at 7:16 pm

You're so right. All of the songs do sound alike, but that's not necessarily a bad thing, right? 6 great songs, even if they're all the same, is a lot better than 6 bad songs.

The way I like to think of it is that it's all just one track. One long 20 minute track.

Reply

Kim September 22, 2009 at 3:35 am

This was pretty boring in my opinion. Why does beach music have to sound so dull? I don't get artists like the Drums, WAVVES, and Washed Out. When I think beach, I think rock n roll.. beach boys, etc.. but modern music? hmmm.. Maybe something like Beat Radio or Little Red. Also Vampire Weekend, Hockey, and Harlem Shakes.

Reply

Edgar September 22, 2009 at 3:35 am

Hell, the entire PMA Summer Playlist :P

Reply

Bear September 22, 2009 at 8:51 am

I don't understand how this blog is such a great source for new music, but how I never agree with the reviews anymore.

Washed Out deserves AT LEAST a 7!

If only because he released this as we head into autumn and lo-fi vocals are perfect for this time of year…

Reply

Pretty Much Amazing: Luis September 22, 2009 at 2:20 pm

I like it too, but listening to it more than once or twice through does get a bit tedious and monotonous. Sorry. That wouldn't make it a “stand out in its genre,” though it might be a stand-out in the music landscape right now. But we all know that changes week-to-week.

RE: 70-74 — Damn good. A stand-out in its genre. http://prettymuchamazing.com/the-pretty-much-am

Reply

Bear September 27, 2009 at 7:17 pm

I don't think it's tedious at all. I love how layered the songs are and how the lo-fi vocals draws attention to the beat. Because the EP is ALL about the beat.

Like in “You'll See It” there is a distinct 1,2 1,2 rhythm and then before that bottle-whistly synth there are these little 1beat blips that are like tiny dance breaks, saying: “Okay, ready?” And then it revs up with that whistle.

Also, there's a level of simplicity to all of the songs that sort of winks to the listener. (“Feel It All Around” for example.) It's like a Franz Kline painting or something. You almost question if you could make something like it in Garageband, but then when you really think about it – at least for me and not being able to sing or compose – it's a lot more complicated.

Plus there's something to be said for the uniformity of the sound. The beats are kind of crushing and he presents a full array of how that kind of sound can be played. (“Get Up” being a perfect intro because the weighty beat is noticeable absent from the start of the song and then it's there and carries throughout the entire EP.)

It feels like artists who create albums with more uniform sounds (YACHT, who I don't like, and The Juan McClean, who I do, as other examples) are less concerned with creating singles. It might mean songs as a whole are less identifiable, but you can definitely point to the album and artist they come from. In that regard, I think it lacks a lot of “pop sensibility,” but in a way that makes you value the contribution to the “electro” genre because it's not just creating a novel synth-heavy dance song or two.

So… If he's not a stand-out, who is? And what “genre” are you judging him under?

Reply

Pretty Much Amazing: Luis September 28, 2009 at 12:39 am

All valid, and accurate points. Everything you mentioned above is exactly why I love Washed Out and this EP. But, I guess, these same reasons also stop me from listening to Washed Out over and over again. Something I never had trouble doing with Memory Tapes, The Big Pink or Neon Indian's albums (artists I usually group Washed Out with).

Now that Memory Tapes album.. that's a standout :) and The Big Pink's debut blows my fucking mind.

Reply

Bear September 27, 2009 at 12:17 pm

I don't think it's tedious at all. I love how layered the songs are and how the lo-fi vocals draws attention to the beat. Because the EP is ALL about the beat.

Like in “You'll See It” there is a distinct 1,2 1,2 rhythm and then before that bottle-whistly synth there are these little 1beat blips that are like tiny dance breaks, saying: “Okay, ready?” And then it revs up with that whistle.

Also, there's a level of simplicity to all of the songs that sort of winks to the listener. (“Feel It All Around” for example.) It's like a Franz Kline painting or something. You almost question if you could make something like it in Garageband, but then when you really think about it – at least for me and not being able to sing or compose – it's a lot more complicated.

Plus there's something to be said for the uniformity of the sound. The beats are kind of crushing and he presents a full array of how that kind of sound can be played. (“Get Up” being a perfect intro because the weighty beat is noticeable absent from the start of the song and then it's there and carries throughout the entire EP.)

It feels like artists who create albums with more uniform sounds (YACHT, who I don't like, and The Juan McClean, who I do, as other examples) are less concerned with creating singles. It might mean songs as a whole are less identifiable, but you can definitely point to the album and artist they come from. In that regard, I think it lacks a lot of “pop sensibility,” but in a way that makes you value the contribution to “electro” as something more artful and concerned with creating a piece of music, rather than a few good dance songs.

So… If he's not a stand-out, who is? And what “genre” are you judging him under?

Reply

Pretty Much Amazing: Luis September 27, 2009 at 5:39 pm

All valid, and accurate points. Everything you mentioned above is exactly why I love Washed Out and this EP. But, I guess, these same reasons also stop me from listening to Washed Out over and over again. Something I never had trouble doing with Memory Tapes, The Big Pink or Neon Indian's albums (artists I usually group Washed Out with).

Now that Memory Tapes album.. that's a standout :) and The Big Pink's debut blows my fucking mind.

Reply

Leave a Comment

{ 2 trackbacks }

Basement Jaxx’s upcoming album Scars leaked the other night and I’m giving it my first listen this evening, right in time for the weekend’s festivities. It’s a bit moodier than…

Keep Reading...

Summer still lingering on the brink of Fall? It kind of seems that way with The Drums’ new EP titled Summertime, which was released September 15. One of their other…

Keep Reading...

[youtube]http://www.youtube.com/watch?v=pXHSW76NO2g[/youtube] This old news to some of you, but we’re finally coming around to “I’m Not Your Toy” being La Roux’s new single (we prefer “Tigerlilly,” thanks). The words in…

Keep Reading...

“Kaleidoscope” combines the proven talent of Dutch DJ Tiesto and the incredible voice of Sigur Ros member Jonsi. Tiesto and Jonsi clearly are not butting heads on this song; it…

Keep Reading...

PMA was at Little Boots’ Bowery show featuring Yes Giantess and The Plastiscines Wednesday. We got to talk to Jan Rosenfeld of Yes Giantess outside the venue standing in front…

Keep Reading...

The only two artists that made this year’s VMAs interesting have banded together (after much hearsay and speculation) to give us this winter’s hottest tour. Kanye West’s Glow In The…

Keep Reading...

When it comes to Mille, what you hear once the song starts is what you get. The producers from Sweden immediately hooks you in with their impressive combination of beats…

Keep Reading...

Quicky: I want a print of this album cover. It would look good on my wall. Oh and I’m 100% sure you’re going to like this remix. Satisfaction Guaranteed. It’s…

Keep Reading...

Quicky: The xx (who seem to be growing on me more and more) gave Jack Penate’s “Pull My Heart Away” the remix treatment. The result? Something entirely different and undeniably…

Keep Reading...