Welcome back to Blinded By The Hype, the newly inaugurated PMA feature in which we revisit some of our top reviewed albums once the hype has died down. In today’s world, music is released at a machine gun pace. It’s a what-have-you-done-for-me-lately type scene, and “lately” usually means this week. Rarely do we stop to smell the roses. Even good albums get overlooked as time passes. And we almost never – aside from year end lists – take a look backward. Hindsight is 20-20, and we’d like to apply that retrovision to set the record straight. Hence, Blinded By The Hype. A quick refresher for those of you who might have missed out on the rules the first time around:

1. Only full albums will be re-examined. Tracks are finicky enough to review the first time, and how a single track fares over the course of a few months is more an issue of personal preference than quality.  Album grades mean more, album spins mean more, therefore we’ll stick to albums.

2. Only albums that received 80+ grades will be re-examined. No point in re-opening old wounds. If it wasn’t good with the hype, it won’t be good without the hype. Sure, there are albums that get better with time. No doubt about that. But hype isn’t involved there – it’s tracks that are growers and lyrics that are layered. Totally different ballgame, we’ll stick to the initially well-received.

3. Only albums that are at least 3 months old will be re-examined. Hype is all about timing. When an album is released, there is an upswell of buzz that races around the blogosphere. Sometimes that buzz cycle extends for a couple months – there’s the leak, the first single, the release, the second single, etc. So we’ll wait until the dust settles before stirring things up again.

This edition’s focus? Animal Collective’s Merriweather Post Pavilion. Continue reading →