Awesome!

Just a day after many of us were very angered with Pitchfork, the site goes and redeems itself by giving Andy Samberg and The Lonely Island’s album some much-deserved respect. Jessica Suarez gave the album a great review (although she bashed “Sax Man,” which I loved). Here’s her final, well-written paragraph:

“The Lonely Island understand repetition and exaggeration. On SNL, that was most apparent in their “Dear Sister” sketch, its melodramatic, “O.C.”-savaging death scene iterations getting funnier and funnier. On Incredibad it’s the “boiled goose” line on “Boombox”, the endlessly repeated chorus of “I’m on a boat!” from “I’m on a Boat”. Basic comedy stuff, sure, but the guys also have a good sense of when to quit (see also the “cool beans” segment in “Hot Rod”). Maybe it’s that same sense of rhythm that guides their songwriting. Maybe that makes this comedy music, instead of musical comedy, because it’s hard to tell which one’s modifying the other. Still, good timing’s good timing.”

You pleased with Pitchfork’s Incredibad analysis?